Thursday, February 18, 2010

Writing Contest: NPR;s Three-Minute Fiction

Okay, folks. The deadline for this is coming up fast, but I'm sure you can hack it.

National Public Radio's Three-Minute Fiction contest is looking for the best fiction that can be read in...well, three minutes. That translates to somewhere in the vicinity of 600 words. Your work will be inspired by a photograph posted on NPR's website. Alan Cheuse, NPR's resident book reviewer, will be the official judge.

You've got until February 28 to whip the words out of your brains and hearts. Shouldn't be tough, right? I suggest doing three to five different pieces, so you can choose the best and polish it to perfection.

For the complete rules, go to the official contest rules webpage. To see the photograph on which you'll base your entry, visit this page.

And thanks to Cynthia Riede and her Midnight Lunch for the heads up.

Wednesday, February 17, 2010

Writing Prompt: Winter Tree

Stimulate your imagination and flex your writing muscles with a writing prompt! Take a minute to observe the contents of the picture below. When you're done, write a story fragment of 200 to 300 words.


Trees know the true meaning of patience. Or do they?



Observe the tree in the picture and identify any human traits this tree would have based on its situation. You can tackle this writing prompt in one of two ways:
  • Create a monologue for the tree. The monologue would describe a major event that recently happened to the tree. End the monologue with an epiphany.
  • Quick! Imagine someone or something approaching the tree! That someone or something and the tree begin a conversation. What would they talk about?
Whatever you write as a result of this writing activity might lead to your next great story! Have fun writing!

Image by hbrinkman at stock.XCHANG

Tuesday, February 16, 2010

Writing Prompt: Bear Talk

Stimulate your imagination and flex your writing muscles with a writing prompt! Take a minute to observe the contents of the picture below. When you're done, write a story fragment of 200 to 300 words.


Walking through the woods past lunchtime, you chance upon two grizzlies who appear engaged in an argument.


Take note of the body language and positions of these two characters. You can tackle this prompt in one of two ways:

  • The bears are talking in a language you understand. What are they arguing about? How does the argument end?
  • The bears are communicating with grunt, snarls, and other incomprehensible sounds. Describe, instead, their actions that will reveal the actual nature of their argument. Again, how does the argument end?

Whatever you write as a result of this writing activity might lead to your next great story! Have fun writing!

Image by kalilo at stock.XCHANG

Thursday, February 04, 2010

Writing Prompt: Old Pictures

Stimulate your imagination and flex your writing muscles with a writing prompt! Take a minute to observe the contents of the picture below. When you're done, write a story fragment of 200 to 300 words.

The party is winding down in the living room, but all is quiet in the study. Quiet, save for whispers from the past.


Quick! Imagine a person entering the scene.
  • The person entering the scene is a visitor. Who is this person and why does the person take interest in the pictures?
  • One of the pictures reminds the person of a love that had ended. Describe this picture, as well as the nature of the person's past affair.
  • The host of the party enters the room and stands beside the visitor. Imagine what the party host looks like. What does the host say, and what does the visitor say in response?
Whatever you write as a result of this writing activity might lead to your next great story! Have fun writing!

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Image is by pipp. http://www.scx.hu

Tuesday, February 02, 2010

Writing Prompt: Old Car

Stimulate your imagination and flex your writing muscles with a writing prompt! Take a minute to observe the contents of the picture below. When you're done, write a story fragment 200 to 300 words.

It is three in the afternoon. A vintage car, paralyzed by a lost wheel, sits in a Havana plaza.



Quick! Imagine a person entering the scene.
  • The person entering the scene has a relationship with the car. What is that direct or indirect relationship?
  • Seeing the car makes this person think deeply of something else. What does the person think about? What memories emerge from seeing the car? Identify feelings associated with these thoughts. What is the quality of these feelings?
  • After going through thoughts and feelings, the person makes a decision. What is this decision?
Whatever you write as a result of this writing activity might lead to your next great story! Have fun writing!

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Image is copyright 1994-2007 by Gerald Oskoboiny. http://www.impressive.net

Friday, December 04, 2009

My Writing Books

A beginning writer needs a jump-off point, whether it be a writing workshop or an undergraduate Creative Writing degree. Some undergo apprenticeship of some sort, or do a bit of ghostwriting to get their feet wet. For me, I go for the writing books. Here are the choice references currently on my shelf. While I have other references, the following tomes are the ones I find myself going back to.

1) The 3rd Act: Writing a Great Ending to Your Screenplay (Drew Yanno)

While focused on screenplay writing, Yanno's book offers practical advice on how to pave the way toward a satisfying ending to a story.

2) First Draft in 30 Days (Karen Wiesner)

I bought this book not so much for the writing advice, but for time management purposes. Wiesner's thrust is helping produce productive writers, the kind who pens more than one major work a year. Arguably, 'major work' may not translate to 'fantastic work,' but Wiesner's methods are nonetheless sound. I suggest expanding her system to cover 90 days instead of 30. Ninety days for a novel's first draft is still pretty fast.

3) Manuscript Makeover: Revision Techniques No Fiction Writer Can Afford to Ignore (Elizabeth Lyon)

While I haven't gone through all of Lyon's book, the checklists at the end of each chapter whet my appetite. Plus, she goes through the writing process like a refresher course. I don't think I'll be getting any other revision book.

4) Chapter After Chapter: Discover the Dedication and Focus You Need to Write the Book of Your Dreams (Heather Sellers)

I got Seller's book for inspiration. She talks about writing more as a passion than an occupation (though she talks a bit about the latter, too). Apart from the joys that can be had from writing, she also talks about the frustrations and pitfalls. I like the part where she likens writing to a relationship.

5) Plot & Structure: Techniques And Exercises For Crafting A Plot That Grips Readers From Start To Finish (James Scott Bell)

One of the first writing references I got. To any beginning writer, Bell's book could be a winner. It was for me.

6) Fiction Writer's Workshop (Josip Novakovich)

I got this book primarily for the exercises, which I have yet to go through. But I believe that any writer should have at least one exercise book. I chose this book because the exercises are a bit more challenging, even though it's supposed to be for beginners.

7) Perrine's Story and Structure (Thomas R. Arp, Greg Johnson)

Since I wanted to pursue writing, I needed some academic background to go with the practical knowledge. It's like taking a literature class.

8) Writing Essays About Literature: A Guide and Style Sheet (Kelley Griffith)

Along with the #7, this book helps me look at stories from a technical standpoint. These two books contain short stories both classical and modern, very useful for writers who want to explore different writing styles. Plus, the guide questions at the end of these stories encourage deeper and more analytical thinking.

9) The Dramatic Writer's Companion: Tools to Develop Characters, Cause Scenes, and Build Stories (Will Dunne)

See my review of this book in the previous post. I simply love this one.

Wednesday, October 28, 2009

Book Review: Will Dunne's "The Dramatic Writer's Companion"

The preview I saw in Google Books convinced me that Will Dunne's book The Dramatic Writer's Companion: Tools to Develop Characters, Cause Scenes, and Build Stories (Chicago Guides to Writing, Editing, and Publishing) could be worth something in the sea of oh-so-many fiction writing books. Boy, was I wrong. is not just worth something--it's simply the most comprehensive set of brainstorming exercises any storyteller needs to thoroughly flesh out a story.

It doesn't teach you writing per se. What it does is encourage you to explore the potential of your idea. Do you have a concept but hard-pressed to create a story for it? "The Dramatic Writer's Companion" can help.

Every step of the story development process is covered, whether you just have a core idea, or if you already have a glitch-laden draft that needs ironing out. Through questions and straightforward commentary, author Will Dunne encourages you to THINK and DIG DEEP. If you're serious about coming up with a well-rounded dramatic story, then this is the book to beat. Avoid this book if you're looking for shortcuts.

In other words, this book wants to make sure that you know your story like the proverbial back of your hand--inside and out, up and down, side to... you get the picture.

The book starts with a character, with the objective of making this character as three-dimensional as possible, as well as exploring the aspects of this character that could inspire dramatic action. The book then brings in the other characters and helps you establish the kind of character relationships that fuel a dramatic story.

Moving forward, the book then provides exercises for scene building, defining what a scene is and what it's supposed to do, and how characters influence scenes. There are exercises to help establish the tone of a scene, heighten conflict and tension, and connect scenes with the overall story objective. Threshing out dialogue is also covered.

As you go further, the book goes for the big picture. Point of view, dramatic arcs, inciting event, setups and payoffs... they're all here.

And then some. It doesn't matter if you're writing plays, or screenplays, or fiction, or graphic novels. Long overdue, "The Dramatic Writer's Companion" is a must for every serious storyteller's bookshelf.